Dickinson and audience
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Dickinson and audience
- Publication date
- 1996
- Topics
- Dickinson, Emily, 1830-1886 -- Criticism and interpretation, Dickinson, Emily, 1830-1886, Dickinson, Emily, Women and literature -- United States -- History -- 19th century, Authors and readers -- United States -- History -- 19th century, Reader-response criticism, Authors and readers, Women and literature, Publiek, Leser, Leserrolle, Rezeption, United States, Authors and readers History 19th century United States, Dickinson, Emily Criticism and interpretation, Women and literature History 19th century United States
- Publisher
- Ann Arbor : University of Michigan Press
- Collection
- internetarchivebooks; inlibrary; printdisabled
- Contributor
- Internet Archive
- Language
- English
- Volume
- 2
- Item Size
- 588.2M
viii, 280 pages ; 24 cm
An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / Of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience - from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific "other" that any literary work addresses
Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. The essays in Dickinson and Audience treat both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis J. Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, R. McClure Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works - from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations
It will interest not only scholars in these areas but also anyone who wants to gain insight into Dickinson's creative genius
Includes bibliographical references
Introduction : Dickinson the scrivener / Robert Weisbuch and Martin Orzeck -- Dickinson's unrevised poems / David Porter -- "Red in my mind" : Dickinson, gender, and audience / Charlotte Nekola -- Nobody's business : Dickinson's dissolving audience / Robert Weisbuch -- Dickinson's figure of address / Virginia Jackson -- Reading seductions : Dickinson, rhetoric, and the male reader / R. McClure Smith -- Dickinson's letters to Abiah Root : formulating the reader as "absentee" / Martin Orzeck -- Homoeroticism and audience : Emily Dickinson's female "master" / Betsy Erkkila -- "My business is to sing" : Emily Dickinson's letters to Elizabeth Holland / Stephanie A. Tingley -- Emily Dickinson's perfect audience : Helen Hunt Jackson / Richard B. Sewall -- Dickinson's elected audience / Robert Regan -- Emily Dickinson and the reading life / Willis J. Buckingham -- Dickinson and the public / Karen Dandurand
An obsessively private writer, Emily Dickinson almost never submitted poems for publication, which she deemed "the Auction / Of the Mind." Yet over a century of criticism has established what readers of various sensibilities describe as a shockingly intimate relation between text and audience, making the question of whom the poems address a crucial element in interpreting them. This volume of essays is the first book exclusively focused on Dickinson's relation to audience - from the relatively few persons who received many of the poems to that vast, unseen, yet somehow specific "other" that any literary work addresses
Dickinson's writings were influenced by her ambivalent attitude toward the conventions of the nineteenth-century literary marketplace and her desire to shape more intimate relations with chosen contemporaries. Still, her poems and letters engage modern readers and speak to the social and gendered politics of our own day. The essays in Dickinson and Audience treat both the importance of Dickinson's personal friendships and the ways in which contemporary poetics continue to sustain the vitality of her writings. With contributions from Willis J. Buckingham, Karen Dandurand, Betsy Erkkila, Virginia Jackson, Charlotte Nekola, Martin Orzeck, David Porter, Robert Regan, Richard B. Sewall, R. McClure Smith, Stephanie A. Tingley, and Robert Weisbuch, the collection boasts a wide variety of critical approaches to the poet and her works - from traditional biographical and historical analyses to deconstructionist, feminist, and reader-response interpretations
It will interest not only scholars in these areas but also anyone who wants to gain insight into Dickinson's creative genius
Includes bibliographical references
Introduction : Dickinson the scrivener / Robert Weisbuch and Martin Orzeck -- Dickinson's unrevised poems / David Porter -- "Red in my mind" : Dickinson, gender, and audience / Charlotte Nekola -- Nobody's business : Dickinson's dissolving audience / Robert Weisbuch -- Dickinson's figure of address / Virginia Jackson -- Reading seductions : Dickinson, rhetoric, and the male reader / R. McClure Smith -- Dickinson's letters to Abiah Root : formulating the reader as "absentee" / Martin Orzeck -- Homoeroticism and audience : Emily Dickinson's female "master" / Betsy Erkkila -- "My business is to sing" : Emily Dickinson's letters to Elizabeth Holland / Stephanie A. Tingley -- Emily Dickinson's perfect audience : Helen Hunt Jackson / Richard B. Sewall -- Dickinson's elected audience / Robert Regan -- Emily Dickinson and the reading life / Willis J. Buckingham -- Dickinson and the public / Karen Dandurand
- Access-restricted-item
- true
- Addeddate
- 2020-07-15 10:03:52
- Associated-names
- Orzeck, Martin, 1951-; Weisbuch, Robert, 1946-
- Boxid
- IA1871407
- Camera
- USB PTP Class Camera
- Collection_set
- printdisabled
- External-identifier
-
urn:oclc:record:1193397696
urn:lcp:dickinsonaudienc0002unse_wcat032:lcpdf:07f64d6c-fd70-4d14-b494-261469af1524
urn:lcp:dickinsonaudienc0002unse_wcat032:epub:70faf8bc-2db9-4c9f-b636-76fc7420d925 - Foldoutcount
- 0
- Grant_report
- Arcadia #4117
- Identifier
- dickinsonaudienc0002unse_wcat032
- Identifier-ark
- ark:/13960/t4mm58r74
- Invoice
- 1605
- Isbn
-
0472103253
9780472103256 - Lccn
- 96018592
- Ocr_converted
- abbyy-to-hocr 1.1.20
- Ocr_module_version
- 0.0.17
- Old_pallet
- IA18352
- Openlibrary_edition
- OL7633715M
- Openlibrary_work
- OL18342843W
- Page_number_confidence
- 98
- Page_number_module_version
- 1.0.5
- Pages
- 298
- Ppi
- 300
- Rcs_key
- 24143
- Republisher_date
- 20200715141954
- Republisher_operator
- associate-ronamye-cabale@archive.org
- Republisher_time
- 853
- Scandate
- 20200627011510
- Scanner
- station35.cebu.archive.org
- Scanningcenter
- cebu
- Scribe3_search_catalog
- isbn
- Scribe3_search_id
- 0472103253
- Tts_version
- 4.0-initial-124-gc27c09f8
- Full catalog record
- MARCXML
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